Radio Waves Podcast #41

I have heard the future of AM radio. In a 2006 Lincoln Navigator. Well, not exactly. But what could have been the future of AM radio, anyway.

 

The story starts with a bad fuel pump in my ’99 Silverado. I knew it would take a while for me to have time to get the part and install it, so I borrowed a Lincoln Navigator from my brother. As I always do, I started playing with the radio ... or in this case the AM/FM/6 CD changer that must have been the top-line stereo of the day.

 

Tuning through FM was impressive enough. The car has a nice subwoofer hidden somewhere in the cabin that brings nice depth to the sound (my own personal opinion is that all car systems should have subwoofers, by the way. And most home systems as well). But when I tuned to AM I did a doubletake ... KNX (1070 AM) sounded fabulous ... very clean and clear. 

 

I have an HD radio in my Silverado, so I am used to KNX sounding great. But I knew this wasn’t an HD radio. Something was up. It turns out that, while this is not (that I can tell) an analog AM stereo receiver, it IS a variable bandwidth tuner. In other words, with good reception, the radio opens up and brings in the high end of the sound spectrum. If reception is spotty, or if there is interference, the radio automatically decreases the bandwidth, lowering fidelity but reducing noise.

 

With KNX being an HD station and limiting their analog bandwidth (digital HD streams don’t work well if a station has really good analog fidelity) I did quickly realize that not only was this not quite “high” fidelity, but that I was also picking up some of the sideband interference that comes from the HD radio stream. But the fidelity was still impressive; I have not confirmed but I believe that KNX uses a version of HD radio that allows better than typical analog sound.

 

Tuning to KMZT (1260 AM) brought out the real potential of this system. Even with spotty reception, the classical music that came out of my speakers was truly breathtaking. Station owner Saul Levine told me a while back that K-Mozart broadcasts a high fidelity signal, and I believe him. There were clean highs and nice lows ... the way I know AM radio can sound on a good receiver.

 

So I got to thinking (and agreeing with others who have proposed this solution): While I am not anti-HD, the problems with digital HD radio in the current analog-digital hybrid system doesn’t always work, especially with lower powered or very directional AM signals. And it wreaks havoc with many stations at night. These problems may be mitigated if AM transitioned into an all-digital system, but that is unlikely to happen soon, if ever.

 

Why can’t manufacturers make an AM radio that receives high-fidelity analog broadcasts, as can this Lincoln radio, along with HD signals where they are available? It would give the best of both worlds, and is probably the easiest way to “save” the AM band, at least technically. All that would be left to do is find decent programmers to actually program compelling content. I personally have that covered already, though the band may need some other great programmers besides me ...

 

Short Takes

 

Reader Joe Paire wanted me to mention that Bryan Suits’ “Dark Secret Place” is back on the air on KABC (790 AM) at 9 p.m. Saturday nights ...

 

An audio memorial and celebration of Liz Fulton’s life and career will be taped July 12 for future airing on K-Beach (88.1 HD3) and on the internet at KBEACH.org. Best known as Rick Dees’ newscaster and station news director during Dees’ early days on KIIS-FM (102.7), Fulton passed away June 7 at the age of 61. The date and time of the memorial broadcast is to be determined ...

 

To those who miss Kristen Cruz since she left (read: was forced out of so that owner Clear Channel could save a few bucks on) the KOST (103.5 FM) “Mark and Kristen” morning show, head over to her blog at http://kristincruz.wordpress.com.

Radio Waves Podcast: Special Edition - Legendary KRLA DJ Dave Hull and The Beatles

Radio writer Richard Wagoner joins Mike Stark in an interview with legendary LA radio DJ - Dave Hull - "the hullabalooer".  Dave talks about the times he spent with the Beatles leading up to their first Hollywood Bowl performance in 1964.  Included are rare interviews Dave did with the band and music from the Bowl performance

Radio Waves Podcast #40

New programmers at KRTH and KTWV

 

I don’t have much information on new KRTH (101.1 FM) programmer Chris Ebbott, but almost everything I have heard sounds positive, save for the fact that he helped launch Jack-FM (KCBS-FM, 93.1) ... can you tell I am still not a fan of the station with no soul?

 

Ebbott has experience in adult hits, classic hits, and traditional top-40, which is a good match for KRTH -- an oldies station with a top-40 approach. KRTH itself is in good shape already, with some of the highest ratings in years. It will be interesting to see what Ebboott does with the last remnant of Boss Radio in Los Angeles.

Taking a much harder job is Ralph Stewart, just-named programmer of The Wave (KTWV, 94.7 FM). The Wave is so bad off that my suggestion would be to just jettison the entire format, move Jack-FM to the frequency and launch a hot adult contemporary format on 93.1, called 93/KHJ.

 

Why so harsh? The Wave launched in 1987 as a “new age” station (aka “lava lamp” radio), morphed into smooth jazz, and then into the mess it is today ... smooth jazz, smooth rhythm and blues, or smooth doo-doo ... take your pick. The name has no meaning any more, having been so damaged over the years as programmers tried to salvage what was left of a once decently popular station. Stewart has his work cut out for him, and he’ll have to do it all while maintaining his current job as operations manager at sister Jack-FM.

 

Talking to Animals

 

This is a program you have to hear to really understand, but SiriusXM’s (subscription required) Animal Intuition is one of the more entertaining shows on the satellite service’s talk channels.

Hosted by Sonya Fitzpatrick, the program involves listeners calling in to find out about their pets. Through their pets. You see, Fitzpatrick can talk to animals.

 

Or so she says she can. And who am I to doubt her?

 

According to a program description, Fitzpatrick “helps pet lovers connect with their pets -- both living and passed on -- and teach you how to see things from a pet’s point of view.”

 

A typical call involves the listener giving Fitzpatrick the name of their pet, followed by the host asking questions or making statements often from the viewpoint of the (alleged, just to keep it legal) pet. Not probing questions, in the traditional sense, and according to stories written by people who have had one-on-one sessions with her, not “fishing” questions that can then be mixed up and parroted back either.

 

A recent show got into specific items such as “who is the woman who took care of (the cat) while you were gone recently? And “who is the man with the golf clubs?”

 

Fitzpatrick calls herself an “animal communicator,” and claims that she realized from an early age that she had a special connection with animals .... that she found it easier to communicate with animals than humans.

 

Now don’t get me wrong ... I’m not saying that I necessarily believe she is a “pet psychic.” But I’m not saying she’s not either. Regardless, her show is extremely entertaining, and she is pretty darn convincing. In fact, if I had the time to sit on hold, I’d call in to see what she could tell me about my own pets, past and present.

 

Hear her program live Sundays from 2-4 pm (with a repeat airing 6-8 pm) locally on SiriusXM “Stars” Channel 106.

 

Album Sides

 

In case you read this in time ... The Sound (KSWD, 100.3 FM) is playing the top-25 favorite album sides as chosen by listeners beginning July 4th at 8 am. Programmer Dave Beasing claims that he is indeed counting the votes to determine the list. Album sides only, by the way ... not full albums.

 

Not to be outdone, KRTH presents the Firecracker 400, the top-400 songs of all time as (also supposedly) determined by listeners beginning at 10 am July 3rd and continuing all weekend long.

Radio Waves Podcast #39

Some people are just naturally good story tellers. One that comes to my mind is Ralph Story, who through his news and entertainment reporting for CBS and PBS, told a lot of stories about the history of Los Angeles. Former CBS staff announcer Bern Bennett was another who could make almost any topic interesting. And he was a master of jokes... you didn’t care if you already heard him tell one a million times, he made them so incredibly interesting.

 

Now you can add JJ Johnson to the list. The veteran broadcaster with an amazing set of pipes -- heard on the original KDAY, KACE and others locally along with legends like KFRC/San Francisco -- recently released a Kindle book that covers his career in broadcasting.

 

Unlike other similar books, it isn’t what I would call an autobiography, though in reality, that’s exactly what it is. But it’s different than most. Reading it you feel like you’re sitting down next to Johnson, relaxing with a beer (soft drink if you’re under 21, of course) and hearing him tell stories.

 

Interesting stories about something I dearly love: radio.

There is no plot. Just stories. Some of them related, some not. Some I can relate to directly, such as when he describes a “radio guy” as someone who turns up the volume to hear the special elements of a station -- DJ talk, transitions, jingles -- then turn it down again when the music plays. “To non radio people, this is odd,” he writes. Yes, my wife thinks I’m odd.

 

He describes so well a programmer’s intuition -- something good programmers have --  in that they can tell what is happening at a station just by listening to the on-air sound, even if they are nowhere near the station itself. Describing his own programming days at KDAY, Johnson writes, “I knew by listening, for instance, when one of my jocks was reading the newspaper in the studio” rather than paying attention to details. “No one ever protested when I would (call and) say, ‘put the paper down and pay attention, please.’ They knew I knew.”

 

He talks of the people he met and worked with, musicians he met and befriended, and overall gives an amazingly detailed look at the life of a radio DJ. Called, in fact, “Aircheck: Life in Music Radio,” it is a fascinating look at radio in general, not just Johnson. It’s a fun read, and its less than $5.

 

Johnny Mann

 

The creator of one of the most memorable tunes in radio, Johnny Mann, passed away June 18 at the age of 85.

Mann and his Johnny Mann Singers were famous in many circles, including radio and television. But I will always remember him for the classic a cappella “93 K-H-J” jingle that became a staple of top-40 radio stations nationwide, eventually morphing into the jingle still heard on KRTH today, “K-Earth 1-0-1!”

 

New PD

 

Chris Ebbott has been named programmer of KRTH; he will assume his new position July 16th. I’ll have more on Ebbott and his Los Angeles connections next week. In the meantime, I find it interesting -- and a potentially positive move -- that owner CBS decided to name Ebbott exclusively to KRTH, and will name another person to program sister KTWV in the near future. That should make both stations stronger; the last two PDs at KRTH also had to program KTWV and it, well, just didn’t work out, at least for The Wave.

Radio Waves Podcast #38

A generation grew up hearing Casey Kasem’s voice on the radio and in cartoons. Best known for his groundbreaking national radio countdown show “American Top 40,” Kasem died on Father’s Day, June 15. He had been in declining health for years as he suffered from the effects of a progressive form of dementia. He was 82.

Kasem began his radio career when he was drafted into the Army in 1952 and sent to Korea, where he worked as a disc jockey for the Armed Forces Radio Network. Over the years, he worked at stations in cities around the country, including Cleveland, Ohio; Buffalo, New York; Flint, Michigan; San Francisco; and Oakland. In Los Angeles, he was heard on the original KRLA (1110 AM) from 1963 to 1969.

His last year at KRLA was weekends only, as he wanted to spend more time on other projects including his voiceover work in cartoons including “Scooby-Doo,” “Batman and Robin,” “Josie and the Pussycats,” “Hot Wheels,” “Transformers” and others. He also did commercial spots for numerous companies.

But it was “American Top 40” that made him famous. Created by Kasem with the help of his childhood friend and movie producer Don Bustany, the idea was pitched in 1969 to Ron Jacobs, who had recently left the programming position at KHJ (930 AM) to start the radio syndication company Watermark.

“American Top 40” launched on seven radio stations on the July Fourth weekend of 1970. It was not an instant success, and the company had to change marketing agreements. Soon, however, it found its niche and was eventually heard on more than 1,000 stations around the world and on Armed Forces Radio.

A simple concept, really, but one that truly belonged to Kasem. No one else could do it as well as he did it — giving short backgrounds of the songs and artists he was counting down, eventually allowing listeners to make “long distance dedications,” and generally using his positive persona to make you feel good.

A contract dispute forced him out in 1988. Replaced by Shadoe Stevens, he launched a competing program, “Casey’s Top-40” on more than 400 stations in January 1989. That show, and variants of it, were heard on top-40 and adult contemporary stations for 10 years until he was brought back to AT-40.

He retired from all his radio programs and voiceover work at the age of 77 in 2009. Ryan Seacrest has been host of “American Top 40” since 2004.

Seacrest plans to offer a tribute to Kasem on this weekend’s show, heard locally on KIIS (102.7 FM) Saturday from 6 to 10 a.m. and Sunday from 8 a.m. to noon.

You can also hear some clips of Kasem as part of a tribute on the AT-40 website, www.AT40.com. His 1970s recordings of AT-40 can be heard on KOLA (99.9 FM) Sundays, 6to 9 a.m.; on SiriusXM satellite radio’s Channel 7 Saturdays from 9 to 11:15 a.m, Sundays from 6 to 8:15 a.m, and Sunday nights from 9 to 11:15. The 1980s versions are found on KOLA Saturdays from 5 to 9 a.m.

Just want the top-10? KOLA has you covered: Sunday nights at 7, the top-10 from that weekend’s ’70s show is featured, followed by the top-10 from that weekend’s ’80s show at 8.

KCRW (89.9 FM) has brought back its annual Summer Nights shows, outdoor events featuring live band performances and DJ sets in venues from Pasadena to the Pacific and beyond. This is an example of local radio at its best, and 2014 marks the fifth year of the Summer Nights series.
This weekend, the event will be held in the Courtyard of Pasadena’s One Colorado, a series of 17 historic buildings located at 41 Hugus Alley in Pasadena.

On Saturday, KCRW DJ Marion Hodges opens the evening at 7:30, followed by the orchestral pop band Kan Wakan, described as combining deep soul, dramatic folk, and orchestral pop and a great local band.

As always, the event is free and family oriented. For more information, go to www.kcrw.com/events/summer-nights-2014 or text “Summer” to 69866.

Speaking of KCRW, the station recently broke ground on a new state-of-the-art studio with an expected completion date of 2016, allowing the station to emerge from the basement under the Santa Monica College cafeteria where it has been for the past 30 years.

Radio Waves Podcast #37

When Radio Was Fun

 

Years ago when radios station programmers actually programmed to win, you’d see stations do all sorts of wacky stuff. One of the fun things done was customized versions of songs.

 

I’m not talking about songs specifically written for and about stations, though I suppose they could be included here as well (“The New KHJ” written by Roger Christian for the launch of Boss Radio in 1965 sung by the jocks to the tune of “Little Deuce Coupe” and a tribute to KFRC/San Francisco performed by Scotty and the 610s being prime examples).

 

I’m talking of the songs that had either added words or lyric changes that made a popular song belong to one station  only. What brought this up, by the way, was a compact disc that came in the mail from my friend Douglas Brown -- former production director of stations as varied as KHJ (930 AM), KRTH (101.1 FM) and KMGG Magic 106 (now Power 106).

 

Included on the disc was a small sample of some of the songs that included the “hack,” for lack of a better word. Such as:
“From Central Park to Pasadena’s such a long way (and there’s no KRLA). I feel so out of it walkin’ down Broadway (I sure do miss KRLA)” -- New York’s a Lonely Town by The Tradewinds.

 

“I’m drivin’ in your car. You turn on the radio (to KHJ)” -- Fire by The Pointer Sisters. Sister station KRTH had a version as well; some stations actually removed the word “radio” and added the calls. A bit smoother, perhaps; I think KFI (640 AM) had one of those.

 

Totally changing the lyrics with a very localized semi-hit (though I have to admit I don’t remember hearing it at the time, Wikipedia says it was a minor hit and everyone knows that info on Wikipedia is always correct), is the title track from the soundtrack to the 1978 movie Almost Summer by the Beach Boys. Original lyrics include:

“Susie wants to be a lady director, and Eddie wants to drive a hearse; Johnny wants to be a doctor or lawyer, and Linda wants to be a nurse” changed to “Now’s the time of year for the Dodgers and Angels to go to bat and do their thing. Lyin’ by a pool or tannin’ at the beach is where it’s at around the LA scene.”

 

Of course the lyrics culminate with the line, “all around LA and Orange County way, they’re listinin’ to K-H-J, it’s almost Summer.” And yes, KRTH had their own version as well.

 

Life is a Rock from Reunion was customized like this, and I know there are others. Do you remember any? Did you have favorites? Hate them? Love them? I personally think they are a fun part of radio’s past, when stations were often bigger than life, and the personalities even bigger.

 

No static at all?

 

Also on the CD was a special version of FM by Steely Dan, from the movie of the same name in 1978. In that year, AM radio still dominated the ratings in most cities, and many programmers were loathe to play a song recognizing their competition. At least one station took the “A” from Steely Dan’s “Aja” and spliced it in place of the “F,” creating the song, “AM.”

 

The official release, according to Brown and apparently just for KHJ, was for Steely Dan to remix the song, removing the “FM” entirely and having just music during that part of the song. The new title: “No Static at All.” Sounds a little weird when you’re used to the original, but it shows the power and influence that AM music stations once had ... and still could today if any programmers were worth a damn.

Radio Waves Podcast #36

I’ve been listening a lot more to KNX (1070 AM) lately. And I am not sure why. I think a lot of it has to do with the fact that I do like staying informed, but at least part of it has to do with how much I like the “sound” of the station on my car stereo that receives the digital, so-called HD Radio, signals that are sent along with the regular analog audio.

 

To my ears, KNX is the best-sounding HD radio station on the AM band. Very much FM-like, with an extra punch that puts it ahead of some of the FMs. Very clean, and very deep ... it rattles the subwoofer well.

 

Only real problem: it tends to highlight the sometimes poor editing on some of the commercials, including one short ad where the speaking vocals stomp the jingle for “five star service at one-star drive” that creates an especially annoying bit of on-air clutter.

 

The Mellow Sound

 

One of the stations I enjoyed in the past was KNX-FM (now KCBS-FM, 93.1) and the Mellow Sound format. I suppose it was the influence of my sister, Jackie, who tended to listen to a lot of the music played on the station. One of my favorite features was The Odyssey File, in which strange and unusual stories would be presented with some depth.

 

Much of the music -- though not the Odyssey File or any of the personalities who brought us the original format -- can be found on Sirius/XM satellite radio’s Channel 32, called The Bridge. Probably about the closest thing to KNX-FM that I have heard in years.

 

Strange Switch

 

Speaking of SiriusXM ... can someone explain to me why you would take a channel that has a specific appeal and replace it with one that has no appeal?

 

OK, I’me being harsh, but I know of people who subscribe to the satellite radio service specifically for “40s on 4,” the only channel of its type on the entire SiriusXM lineup. In its place is a special channel playing nothing but Billy Joel.

 

I’ve been a critic of the practice of “temporary channels” on Sirius XM since the first day they did this. Instead of using dedicated channels for special programming, they take away other channels and stick on programming of often limited interest. In fact, The Bridge was one that used to disappear for months at a time.

 

Don’t get me wrong, Billy Joel is a talented Singer-songwriter (no, I’m not counting the dreadful “Allentown”), but 24/7? Are you serious? Especially when his music is already played on numerous other channels on the Sirius dial. And even if you wanted to do that, why preempt a channel that has no real alternative? Sometimes I think management at SiriusXM is missing a few neurons.

 

Nash-Cisco

 

Cumulus Media, owner of KLOS (95.5 FM) and KABC (790 AM) has brought their country format Nash-FM to the San Francisco Bay area via KSJO/San Jose, which the company just purchased in April.

 

Which if course starts up the rumor mill ... will Cumulus bring the format here to Los Angeles, and if so, to which station? Is KLOS doomed, or will Cumulus buy another station?

 

My hunch: It won’t matter. They can put the format on any station they want, if they want, and it won’t make a huge dent in anything. Cumulus is too cheap to really promote anything, and in the rare occasion they convince a decent programmer to actually come work for them, they tie his or her hands so tight nothing can be done. Does anyone seriously think that type of management can take on Go Country 105?