Radio: August 17, 2018
This coming Monday, August 20, is Shotgun Day ... the day that “Shotgun” Tom Kelly finally
makes his debut on SiriusXM’s Channel 6 - Sixties on Six. He’ll be on
what has become his usual shift as of late, afternoon drive or 4-8 p.m.
locally, though he has worked almost every shift throughout his long
career.
I
grew up listening to Shotgun, as San Diego stations where he worked -
primarily KCBQ (1170 AM), KGB (now KLSD, 1360 AM) and B-100 (KFMB-FM
100.7) - came in as strong as locals where I lived in San Pedro.
I
even aimed my house antenna toward San Diego in the 1990s when he was
part of “Modern Oldies” KCBQ-FM (now KIOZ, 105.3 FM), a format that
played hits of the 1980s ... a decade or two ahead of its time.
He
is an amazing talent: always upbeat and high-energy. He was the perfect
choice to take over the afternoon shift for “The Real” Don Steele on
KRTH (101.1 FM) after Steele passed away far too young in 1997.
Why
it took so long for SiriusXM to get him on board is a mystery. We’ve
all known he was going there since early June; rumor is that
negotiations actually ran about two years.
But all that is history. The exciting part is that one of my favorite DJs is back on the air.
“You
know, when I got hired at K-Earth, I thought that would be the last
radio station I would ever work at,” Kelly told me. “I mean - how do you
get better than that? But that was 20 years ago ... at the time, there
was no satellite radio. Now I will be heard throughout the United States
and Canada! I cannot even begin to explain how exciting this is to me!”
Kelly
will be recording the show -- almost every shift at SiriusXM is
“voice-tracked,” where the DJ records the intros and bits ahead of time
rather than in real time -- from studios in San Diego.
Avoiding Fresno
Kelly’s
first station in San Diego was at Boss Radio 136/KGB. Then-KCBQ
programmer Buzz Bennett got wind that consultant Bill Drake might be
planning to send him up to Fresno for some extra on-air development, and
ended up hiring him ... and ultimately almost the entire KGB air staff
... for KCBQ.
The
KGB-KCBQ battle went on for a few years with KCBQ eventually winning;
San Diego was one of the few, if not the only city where a Drake station
was beaten. KGB adopted an album-rock format in 1972. But I am told
that the battle made for some of the most exciting top-40 radio ever.
And Kelly didn’t have to move to Fresno.
Short Takes
•
The latest Nielsens released this month had KKLQ (100.3 FM) at a 0.0
share of the ratings ... a far cry from the sub-3 shares the station had
when it played classic rock as The Sound.
•
The National Association of Broadcasters is busy trying to convince its
own members that the plan they are pushing to more deregulation in the
industry is a good thing. Having to convince your own membership that
more of what destroyed them must make for an interesting campaign.
Additional deregulation will no doubt cause even more stations and
companies to go under; perhaps the NAB is secretly a spy organization
for Apple Music, Spotify, and all the other music services that could
not have thrived without radio’s decline directly attributable to
decisions made under the deregulation model.
•
The story last week on KPRO (1570 AM) going off the air brought in a
few letters asking about the frequency or history being “wrong” ... No,
it isn’t wrong but your memory is OK ... there was a station at 1440 AM
in the IE that used the KPRO call letters until a format change in 1987.
•
Is AM radio dead? Absolutely. The problem is with the owners and
programmers, though, not listeners. Before I expand on this, however I
am curious what you think ... can an AM station attract you as a
listener if it played the right format? What would that format be?
•
The LA Radio Studio at Ports O’ Call is gone, a victim of - is it ok
to call them corrupt, evil bastards? - officials from the Port of Los
Angeles as construction continues on a new development planned for the
area. But out of the ashes it looks like a new location will arise.
Details when they are confirmed.
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